Bev Hollis, Bev Hollis Photography, dog photography, dog photography business, dog photography workshops, fine art pet photography, pet photography workshop, pet photography workshops, Teresa Berg, Teresa Berg Photography, Unleashed pet photography workshop
As we review our curriculum for Unleashed VA we often look over our “most asked questions” list. Lens choice is always on that list. Especially for photographers who are just entering the pet photography market.
Through the years I’ve found that I have 1-3 “foundation” lenses. Those that, if every other thing in my bag malfunctioned, was lost or stolen, I could complete a session, give the client depth and variety, and still expect a good sale.
Those lenses will differ for everybody -depending on your style, whether you’re a studio shooter or location photographer, and your client base.
For me, my go to lenses are the Nikkor 70-200mm 2.8, Nikkor 85mm 1.4 and the Nikkor 17-35mm 2.8. These are my “base” lenses. If I wasn’t shooting pets I probably wouldn’t use the 17-35mm but it’s the perfect lens for “hip-shooting” and while I’ve found that style isn’t necessarily a big seller for me, it allows me to deliver a really well rounded and thorough session.
Please note, all of my lenses are FIXED APERTURES! I’d rather see you save for a fixed aperture lens rather than buy less expensive variable aperture lenses just to round out your kit. You can do a lot with a 50 mm 1.4 lens!
After the set of base lenses I think it’s up to you. Give it some time. Develop your style and see what you like to shoot. And what your clients like to buy. I’ve bought and sold many lenses through the years. Sometimes I’d try a lens because I liked a certain look, only to find my clients weren’t as enamored as I was. Sometimes I tried a lens, such as a perspective control or “tilt-shift” to find it really fit my style and added a touch of uniqueness to images I delivered.
The good news about quality lenses – you can sell them! I bought a fish-eye lens years ago because I liked the quirky distortion the lens rendered. I found, while it made my clients laugh, my client base, known for purchasing large fine art canvases, wasn’t really buying these shots. So, I sold it for about 90% of what I paid.
Of course, renting is always a great way to go. Many Unleashed attendees rent a specific lens for the workshop. What a great way to try out a lens and get some great shots in the meantime!
Wherever you are in your pet photography path I recommend you go slowly, develop your style, and build a kit of quality lenses that will help you be a better photographer.
Below is one of my images, shot with that fish-eye that left my bag about 8 months after I purchased it!